October 27, 2013
The fall colors, driving thru miles and miles of majestic aspen, the dense fog that was weaving thru the trees, the sun peeping thru and trying to dispel the fog, the clean crisp yellow leaves, the barks that were still afresh, the reds and maroons from the bushes below – put them all together and this is what you get :) Though the colors were lovely, the forest was too busy to get a pleasing composition. This week’s shot is my attempt to express the sense of feeling that prevailed from that lovely fall drive in a single shot, without getting lost in the forest. How do u like it ?
As for the processing, this is a composite of 3 shots – one for the normal exposure of trees, one with the camera panning vertically and a final one for the sun :) Getting the panning shot was the most difficult, at the same time the fun too. Shot at least 40 – 50 before I could get it the way I wanted. But no worries if it does not work out, U can just apply a vertical motion blur in post processing too.
Canon XSi : Canon 18-55 mm : ISO 200 : 55 mm : f6.3 : 1/80 sec [Composite]
||Nebo Scenic Drive, Uinta National Forest
Payson, Utah, USA
October 24, 2013
A whiff of crisp and cool breeze, water cascading down the rocks, lovely fall colors – now that is a scene that would rejuvenate any mood. Something I definitely needed now :) Ultimately, fall is about the inevitability of change. The beautiful colors of the season is a reminder to embrace change.
This is from couple of years back, when I used to shoot with Canon Powershot S2 IS. It was and still is – a lovely camera :) It was a lovely drive up the Cottonwood canyon near Salt lake city.
Canon S2 IS : ISO 200 : 18 mm : f5.6 : 0.3 sec
||Unnamed Cascade @ Little Cottonwood Canyon
Sandy, Utah, USA
February 11, 2011
Fremont Indian rock art is often positioned on trails and commonly depicts mountain sheep, hunting weapons, and trapezoidal human figures. Out of curiosity I dug further to understand the difference between a petroglyph and a pictograph, if any. To my amazement, below is what I found !
Petroglyph is an image or design cut into a rock surface without the use of pigment or coloring. In canyon country, desert-varnished sandstone was most commonly used. In desert areas, this brown or black varnish builds up on rocks after prolonged exposure to the elements. The tool usually used to produce petroglyphs was agate, chert, or jasper. Pictograph on the other hand are painted on light-colored sandstone surfaces. A mixture of sumac, yellow ochre, and pinyon gum was used to make a black powder; yellow from rabbit brush and red from red ochre or the roots of mountain mahogany. Animal fat and plant oils were used to bind the powders together.
Anyways, Utah has some of the most spectacular rock art – found in Nine Mile Canyon northeast of Price. The canyon is actually 40 miles long, probably the name -nine mile- is a misnomer :). Beware, this Canyon is remote, hostile, unblemished and dryly beautiful. Called “the world’s longest art gallery” it is home to numerous rock art panels, including the below famous “Hunter Panel”. Most of the rock art was created by the Fremont Indians who occupied this area some 1,000 years ago.
The “Hunters Panel” is one of the more famous and most recognized Fremont style petroglyph rock art panels in Nine Mile Canyon, Utah. The panel depicts 36 bighorn sheep, 5 hunters, a snake, and several ambiguous images. Notice how the bighorns are connected by consanguinity lines – probably depicting a natural relationship that co-existed.